Visiting people such as the last remaining member of the Vietnamese imperial family, he becomes intrigued by Indochina's twisted history as the military playground of empires--like the Middle East today--and aims to uncover the truth about a culture struggling to stay alive in an ever-merging global climate before it has disappeared forever. His interest is highly personal. Growing up during the Vietnam War protests that defined the 1970s, Ken Murphy's image of Vietnam had always been defined by its deep emotionally charge--the elder brother he looked up to was one of the last American soldiers to be killed during the war. On a chance first visit, however, he discovered how blinkered this view was, as it left no room for the Vietnamese people themselves. As he once again confronts history he finds himself falling in love with the country through vivid portraits of the people he meets, from the US-educated Khmer to ancient trading families and ordinary citizens trying to recreate their lives after the collapse of Communism, the latest empire to colonise their country.


