Sheep-farming in the Wicklow Hills and reseeding marginal land with deep-rooting herbs with lovely names, such as chicory, burnet, yarrow and wild white clover, take all his attention during his marriage - to the dismay of his wife. Then after his divorce in 1959, meeting Tony White from London on the quay of Inishbofin, Murphy begins another life as the owner of an old Galway hooker, the Ave Maria, which 'puts Inishbofin on the tourist map', and revives the art of small boat-building in Bofin. Murphy writes with affectionate lack of sentiment about the Protestant gentry from which he comes. The literary milieu in London, Dublin and New York are described with serenely devastating honesty. Here too are disturbing memories of discrimination against Irish Travellers, and of extreme violence in Sri Lanka. The Kick is the record of a lifetime's engagement with the fracturing tensions of personal life and with the more obviously violent legacies of Anglo-Irish history.It demonstrates the qualities that Ted Hughes recognised in Murphy's verse: 'It combines a high music with simplicity, force and directness in dealing with the world of action.'
Murphy describes the literary milieus of London, Dublin, and New York and his friendships and encounters with some of the leading postwar writers, including W.H. Auden, Ted Hughes, Sylvia Plath, J.R. Ackerley, Laura Riding, Robert Graves, John McGahern, and Conor Cruise O'Brien.Richard Murphy (born 1927) is one of Ireland's most distinguished poets. He is particularly known for poems that draw on the people, the landscape, and the history of the west of Ireland. His Collected Poems (Gallery Press) was published in 2000. Lilliput Press published Murphy's Poems 1952-2012 with a revised text and appendices in 2013 and The Poetry Book Society gave it a Special Commendation. Murphy's awards include the Cheltenham Award and the American-Irish Foundation Award. The Kick: A Memoir was shortlisted for the J.R. Ackerley Prize for Autobiography.