After Failles Ordinaires (2012) which revealed Geraldine Lay's keen eye and original talent, the photographer here continues her urban explorations of humanity in Great Britain.
Faithful to her precise, detailed method and ever attentive to the potential for surprise and chance in any setting, Geraldine Lay mentally apprehends her territories before photographing them. She senses the light and atmosphere, immersing herself in a setting rather than reconnoitring, an approach that brings intimacy to the heart of anonymity.
Some critics have rightly highlighted the cinematographic dimension of the artist's work but such an interpretation overlooks the essentially photographic nature of her pursuit and, in each of her 'photograms', her exacting work reminds us how photography was invented before cinema, and had a special ability to capture and hold the delicately ephemeral. In doing so, she creates a new aesthetic unique to the photographic craft, an aesthetic that imbues all of her work.
As we traverse suburban streets and squares, lives are captured in the mystery of their daily existence. As the Irish writer, Robert McLiam Wilson writes, 'People walk and wait. They talk, drink coffee. They cross streets. They work. They move about. Citizens busy with citizen things. Like all citizens everywhere, they are multiple, varied, various. Men, women, children. They are also British. Incredibly British. They couldn't come from anywhere else.' In an age of exponential standardized universality, Geraldine Lay's photography reaffirms both the permanence of unusual individualities and the resistance of collective identities.
Faithful to her precise, detailed method and ever attentive to the potential for surprise and chance in any setting, Geraldine Lay mentally apprehends her territories before photographing them. She senses the light and atmosphere, immersing herself in a setting rather than reconnoitring, an approach that brings intimacy to the heart of anonymity.
Some critics have rightly highlighted the cinematographic dimension of the artist's work but such an interpretation overlooks the essentially photographic nature of her pursuit and, in each of her 'photograms', her exacting work reminds us how photography was invented before cinema, and had a special ability to capture and hold the delicately ephemeral. In doing so, she creates a new aesthetic unique to the photographic craft, an aesthetic that imbues all of her work.
As we traverse suburban streets and squares, lives are captured in the mystery of their daily existence. As the Irish writer, Robert McLiam Wilson writes, 'People walk and wait. They talk, drink coffee. They cross streets. They work. They move about. Citizens busy with citizen things. Like all citizens everywhere, they are multiple, varied, various. Men, women, children. They are also British. Incredibly British. They couldn't come from anywhere else.' In an age of exponential standardized universality, Geraldine Lay's photography reaffirms both the permanence of unusual individualities and the resistance of collective identities.
- Publisher Name:Actes Sud
- Product Format:Hardback
- ISBN: 9782330109172
- Author:Lay, Geraldine
- Publication Date:2019-01-03
If you are not satisfied with your order in any way, get in touch. We have an excellent customer service record and we will do our best to ensure you are pleased with your purchase.
We are happy to refund a product if it is defective, within 30 days of purchase upon the return of your product. If you return a product to us and request a refund due to an error on our part we will be happy to pay for the postage cost to return it to us.
To be eligible for a return, your item must be in the same condition that you received it, unworn or unused & unread, and in its original packaging. You’ll also need the receipt or proof of purchase.
Please note, if you are requesting a refund based on an issue with condition we kindly ask you to provide a photo in order for us to best advise a suitable resolution.
To start a return, you can contact us at shop@chaptersbookstore.com. If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.
You can always contact us for any return question at shop@chaptersbookstore.com.
Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.
Exceptions / non-returnable items
Certain types of items cannot be returned, like custom products or special orders. Unfortunately, we cannot accept returns on sale items or gift cards.
Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.
Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method. Please remember it can take some time for your bank or credit card company to process and post the refund too.
Free Delivery in the Republic Of Ireland on all orders over €30. Standard Delivery Charge in Republic of Ireland of €5 for all orders below €30.
Delivery is subject to warehouse availability. Out-of-stock items will be shipped as soon as possible, upon arrival from the manufacturer/publisher. Please take shipping time into consideration.
