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Robert Bird's analysis is centered around a detailed account of Tarkovsky's technique, which provides the best interpretive guide to both the director's films and his theoretical speculations. Integrating his idiosyncratic ideas with his films' irresistible sensuality, Bird highlights Tarkovsky's fascination with the elusive correlation between cinematic representation and the more primeval perception of the world.
The book examines Tarkovsky's films elementally, grouping them into four sections: Water, Fire, Earth, and Air. It also discusses Tarkovsky's works for the radio, theatre and opera, and how he was in addition an accomplished actor, screenwriter, film theorist and diarist. The author's claim, however, is that Tarkovsky was a filmmaker before all else, and this book examines what Tarkovsky's cinema reveals about the medium in which he worked.
A thorough yet accessible study, with a wealth of images including stills from films as well as the director and crew on set, this book will be of interest to all fans of Tarkovsky, students of film studies, and readers interested in European and Russian cinema.
- Publisher Name:Reaktion Books
- ISBN: XG81861893420
- Author:Bird, Robert
- Publication Date:2007-09-01
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